When major Western media conglomerates announced their exit from the Russian market in 2022, skeptics predicted a profound crisis for domestic television, characterized by endless reruns of archival films.
Released in 1995, Toy Story did not merely launch the meteoric rise of Pixar Animation Studios—it established the foundation for one of the most powerful financial engines in the entertainment industry.
The global OTT market is experiencing a significant shift in demographic benchmarks. The traditional perception of streaming video as the exclusive domain of Gen Z and Millennials is officially a thing of the past.
The Russian theatrical market has been hit by another wave of “alternative screenings.” Following the past weekend, shadow-market releases surged to the top spot of the domestic box office rankings, led by the animated hit Toy Story 5.
The Direct-to-Device (D2D, or Direct-to-Cell) satellite communications market, which enables standard smartphones to connect directly to spacecraft without intermediate hardware, is experiencing a phase of rapid commercial deployment.
The Russian media market is on the verge of a regulatory overhaul that, under the banner of protecting domestic content, could reshape the economics of both traditional theatrical distribution and the OTT segment.
The International Broadcasting Convention (IBC) has announced the business program for the IBC2026 conference, with this year’s pivotal themes focusing on artificial intelligence, live sports broadcasting, the creator economy, and content verification.
The international footprint of Russian cinema continues its eastward expansion. From July 18 to 25, 2026, the Malaysian capital of Kuala Lumpur will host its first-ever Russian Film Week.
The global media industry is undergoing a profound transformation as traditional IT and telecom giants evolve into AI providers, reshaping the landscape of content distribution and data management.
The FAST (Free Ad-Supported Streaming TV) market continues to exhibit exponential growth, cementing its status as one of the primary drivers of the modern media industry.
