As part of the Moscow International Film Week (MIWF 2026), the session “From Boom to Bust: TV Series Lose Their Ground” addressed the industry’s overproduction crisis and shifting viewer consumption patterns.
Saudi Arabia’s Communications, Space and Technology Commission (CST) has published its Digital & Space Sustainability Report 2026, revealing that the Kingdom intends to exponentially increase funding for its space sector.
An expert discussion exploring the transformation of non-fiction film under the influence of neural networks took place at the Original+ Doc documentary festival for streaming platforms.
The European television market—long a patchwork of isolated national broadcasters bound by strict antitrust restrictions—is undergoing a sweeping transformation. Under pressure from Big Tech and global streaming platforms, European media holdings have pivoted to a “grow or die” strategy.
At the Moscow International Film Week, industry experts gathered to discuss the transformation of filmmaking driven by generative technologies.
From August 24 to 30, as part of the “Summer in Moscow” initiative, the 3rd Moscow International Cinema Week is underway.
The past weekend set an absolute 2026 record in the unofficial Russian distribution segment.
Christopher Nolan’s The Odyssey continues to dominate the South Korean box office.
The domestic television industry is overhauling its strategy for engaging audiences born after 2010. Generation Alpha, raised in an environment of personalized algorithms and touchscreen interfaces, exhibits fundamentally different media consumption habits: attempts to monopolize the young viewer’s attention are giving way to adaptations designed for multi-screening and background viewing.
The fourth standalone Peter Parker film starring Tom Holland continues to rewrite global box-office history. Sony Pictures and Marvel Studios’ blockbuster Spider-Man: Brand New Day has officially become the second highest-grossing film in North American theatrical history.
