The British political establishment has turned its attention to the kids’ media sector. A cross-party coalition comprising more than 50 Members of Parliament from the UK’s major political factions—including the Liberal Democrats, Labour, the Conservatives, and the Greens—has submitted an official appeal to Culture Secretary Lisa Nandy.
PlayBox Technology has released a comprehensive study exploring the global transformation of the broadcasting sector, driven by technological innovation and macroeconomic pressures.
Slovak public broadcaster STVR (Slovenská televízia a rozhlas) has finalized a new long-term distribution contract with terrestrial infrastructure operator Towercom.
Analytics firm F6 has identified the films and television series with the highest volume of unauthorized copies circulating across the Russian internet (Runet)—specifically via torrent trackers and illicit streaming platforms—in June 2026.
Analyzing the financial underbelly of the AI industry has emerged as the defining media market trend in early 2026. For a long time, the economics of generative models remained a “black box,” concealed behind multi-billion-dollar venture capital rounds.
Contrary to forecasts predicting the absolute dominance of streaming platforms, traditional digital terrestrial television (DTT) in Europe maintains a robust position as a foundational method for direct over-the-air signal reception via conventional antennas.
The DVB Steering Board has approved a major package of updates to its technical specifications, centered primarily on the DVB-I standard.
The Internet Development Institute (ANO “IRI”) has finalized the results of its national content competition, identifying the winning projects slated to receive state financial support in the coming years.
Amagi, the cloud-based SaaS platform for broadcasting, streaming, and monetization, has released the 17th edition of its AIRTIME Report, focusing on global trends within the Free Ad-Supported Streaming TV (FAST) segment.
According to the first-half 2026 data from the Unified Federal Automated Information System (EAIS) operated by the Cinema Fund, the cumulative box office of Russian movie theaters surged 26.6% year-over-year to reach 35.2 billion rubles (up from 27.8 billion rubles in 2025).
