The European Broadcasting Union (EBU) has released its viewership report for the 2026 Winter Olympics, showing that the Games were the most successful ever for many public broadcasters, with hundreds of millions of viewers watching free-to-air and delivering record market shares on both TV and digital platforms.
The AI music-generation platform Suno has hit a historic milestone, with the number of paying users surpassing 2 million and annual revenue exceeding 300 million dollars.
A new law has come into force under which films that “deny or disparage traditional Russian spiritual and moral values” will no longer be able to obtain a distribution certificate.
The SHOT TV channel has unveiled a rebrand, switching to a new visual style from 1 March 2026. This is not just a logo change but a statement of intent to move into the premium movie-channel segment.
The legendary studio has approved a development strategy that will transform it into a global brand holding, where animation becomes just one part of a broader ecosystem and the main goal is to build product universes around each character.
The 51st César Awards have named their winners: Karin Tardieu’s drama L’attachement was crowned Best Film of the year, while Richard Linklater officially conquered France by taking home the Best Director prize.
Generations Z and Alpha (ages 10–24) are tired of grim, lone‑wolf superheroes. According to UCLA’s Teens & Screens report, young audiences in the U.S. want to see not world‑saving, but expressions of fatherly love and emotional closeness.
The 2026 Winter Olympics in Milan made history for Russian broadcasting: for the first time, exclusive rights belonged not to TV channels, but to streaming service Okko.
The battle for the media giant is over: the board of directors of Warner Bros. Discovery (WBD) has officially recommended accepting Paramount Skydance’s offer.
Analysis by the British Board of Film Classification (BBFC) has revealed a growing gap between box office hits and BAFTA contenders.
