🎭 Theatre Becomes an IT Product
At The Shed arts center in New York, performances of An Ark have begun — the first theatre project in the world that can be scaled like a mobile app.
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🔥 Medialogistika Launches Special Promotions for CSTB Participants
At the CSTB.PRO.MEDIA exhibition, which will take place on 17–18 February 2026, the terrestrial TV delivery platform Medialogistika will present a series of joint promotions with major rights holders.
⚖️ Disney to Pay for Playing with User Data
The Walt Disney Company has lost its battle with California authorities over the privacy of its viewers and, under a settlement, will pay a $2.75 million penalty for collecting personal data and making the opt-out process excessively complicated.
▶️ Prime Video Takes Off with Local Content
At its first-ever International Originals showcase in London, Prime Video confirmed that the era of exclusively English-language dominance is over.
🎬 German Film Renaissance: Production Budget to Double
Germany’s film industry is on the verge of major change. On the eve of Berlinale 2026, the German government unveiled a sweeping reform plan: annual sector funding will rise to €250 million, and streaming platforms will be required to invest in local content.
📡 Tricolor Grows by 10%
Contrary to analysts’ claims about a stagnating satellite market, Tricolor closed 2025 with strong results.
🇮🇹 TV in Italy Holds Its Ground
Despite the rise of YouTube and social media, traditional television in Italy showed remarkable resilience in 2025.
🌴 RTVI Expands Across the Caribbean
The RTVI media group has announced a major expansion: the channel has launched broadcasting in 10 Caribbean countries.
🥇 Olympics Help WBD Grow Its Audience
The start of the Winter Olympics in Milan and Cortina d’Ampezzo has brought unprecedented audience growth for Warner Bros. Discovery (WBD).
🎺 Belarusian TV Channels Allowed to Use Music Without Extra Paperwork
TV channels included in Belarus’ mandatory basic package will now find it easier to work with music: they will be able to use tracks in their programs without obtaining the author’s prior consent, provided they pay the required remuneration.