💃🏻 Women 35+ Drive Micro-Drama Boom
At the Series Mania forum in Lille, research from Digital i revealed the phenomenal success of micro-dramas on YouTube. In 2025, women over 35 emerged as the format’s primary drivers.
At the Series Mania forum in Lille, research from Digital i revealed the phenomenal success of micro-dramas on YouTube. In 2025, women over 35 emerged as the format’s primary drivers.
Netflix hit Adolescence continues its awards season dominance. Following Emmy success, the series emerged as the outright favorite at the British BAFTA Awards, earning 12 nominations.
After four years of anticipation, BTS has officially returned to the stage. Their live Seoul performance, streamed on Netflix, exploded with impact: the show racked up 13.1 million views in just 24 hours.
At the Series Mania forum in Lille, Ampere Analysis analysts presented a grim diagnosis for the industry: the crisis stems not only from funding shortages but from a catastrophic production slowdown.
In 2026, Russians’ spending on online services is expected to grow significantly: the average annual bill for 3–5 subscriptions will rise from 20–25 thousand rubles to 25–32 thousand.
Russia’s virtual production industry has made a major leap forward: according to a report by the UK-based agency Hagman Global Strategies, the country ranks fifth worldwide, surpassing China. Only the U.S., the U.K., and the European Union are ahead.
The terrestrial television signal delivery platform Medialogistica announces updates to its content catalog. Its lineup has been expanded with Soyuzny — a media project of the Union State — and the popular children’s channel Ryzhy, now available to operators in high definition (HD).
The Indian action film Dhurandhar: The Revenge has stormed the global box office. In its first five days, the movie grossed $81 million, marking the second-best opening in Indian cinema history—behind only Pushpa 2.
The research company Medialogia (part of NMG) has launched a unified Russian TV Series Rating.
TelecomDaily analysts summarized 2025 results for Russia’s original content market. The key takeaway: the explosive growth of past years has given way to stagnation, with 160 projects released over the year (vs. 158 in 2024).