👀 Blockbusters Drive the Bulk of Netflix Viewing
Streaming giant Netflix has published its bi-annual engagement report, highlighting a stark disparity in how subscriber attention is distributed across the platform’s content catalog.
Streaming giant Netflix has published its bi-annual engagement report, highlighting a stark disparity in how subscriber attention is distributed across the platform’s content catalog.
The 9th Animation Gathering in Skolkovo hosted a panel titled “The Media Economics and Generative AI: Why Implementation is Inevitable.” During the session, Anton Vorykhalov, a former strategist at Disney and Paramount, presented stark figures proving that the traditional economics of film and animation studios have hit a dead end, and that without AI, the industry faces a wave of bankruptcies.
Domestic cinematography has firmly consolidated its status as the dominant force at the Russian box office. The analytical department of The Film Distributor’s Bulletin has finalized the 2025 performance metrics for local producers.
Released in 1995, Toy Story did not merely launch the meteoric rise of Pixar Animation Studios—it established the foundation for one of the most powerful financial engines in the entertainment industry.
The Direct-to-Device (D2D, or Direct-to-Cell) satellite communications market, which enables standard smartphones to connect directly to spacecraft without intermediate hardware, is experiencing a phase of rapid commercial deployment.
The global media industry is undergoing a profound transformation as traditional IT and telecom giants evolve into AI providers, reshaping the landscape of content distribution and data management.
Modern digital content—including films, TV series, animation, music, and video games—has firmly established itself among the top three key factors shaping the views and behavior of the younger generation in Russia.
The summer of 2026 has been defined by a renaissance of fear in the cinema industry. The horror films Obsession and The Backrooms of Reality—directed by emerging filmmakers with budgets under $1 million and around $10 million, respectively—did more than just become box office sensations; they proved that original genre filmmaking can compete on equal terms with heavyweight franchises.
The global media verification platform Integral Ad Science (IAS) has released its latest Media Quality Report. The company’s experts analyzed over 300 billion daily digital interactions to map a comprehensive benchmark landscape across the open web, Connected TV (CTV), and social media platforms.
The geostationary earth orbit (GEO) satellite manufacturing industry, which endured a prolonged downturn over the past decade, has entered a cyclical upswing.