At the “Cableman #NEFORMAT” industry event, Konstantin Ankilov, CEO of the analytical agency TMT Consulting, presented a comprehensive report on the full-year 2025 results, delivering a detailed analysis of shifting broadcasting technologies and the broader expansion of the adjacent telecommunications industry.
Medium Earth Orbit (MEO) is emerging as a critical technological compromise within the global space industry.
Analytical agency TelecomDaily has presented a study of the Russian satellite television market covering the period from 2022 to 2030. In the wake of the March anomaly on the Express-AT1 spacecraft, an industry-wide debate has emerged regarding the reliability of orbital signal delivery.
At SPIEF 2026, leading research companies presented fresh data on the shifting media habits of young Russians.
The FAST (Free Ad-supported Streaming TV) format has officially transitioned from a passing trend into a permanent, highly lucrative fixture of the European media landscape. European streaming platform Rakuten TV has released an analytical report revealing new media consumption patterns across the region.
In the first quarter of 2026, television consumption in Kazakhstan demonstrated stability, though the internal structure of audience preferences continues to evolve.
The global television and video content market has crossed a major point of no return. According to data from the analytical firm Omdia, online video revenues surpassed traditional pay-TV earnings last year for the first time in history.
Russian video platforms continue to solidify their positions in 2026, emerging as the country’s primary channels for content consumption. According to a study by the analytical agency TelecomDaily, Rutube has become the main beneficiary of YouTube’s slowdown, with its usage share reaching 79%.
The United Kingdom has established itself as the leading market for micro-dramas in Europe, reaching 8.2 million monthly active users (MAU) last year.
The 2025 financial statements of the largest suppliers of shows, series, and feature films for Russian television channels revealed a sharp slowdown in revenue growth dynamics, with several key players recording a critical drop in net profit.
