👁 Pay TV Audiences Are Migrating to OTT
The Russian pay TV market demonstrated resilient growth in 2025, with the total subscriber base expanding by 4.7% and aggregate revenue reaching 183.7 billion RUB.
The Russian pay TV market demonstrated resilient growth in 2025, with the total subscriber base expanding by 4.7% and aggregate revenue reaching 183.7 billion RUB.
Musical TV channel RU.TV has marked its 20th anniversary in a truly unique fashion, merging the music industry with space exploration technology.
Gazprom-Media Holding has finalized the closure of one of its production assets. According to data from the Federal Tax Service, Third Studio LLC—an in-house production unit launched by the Friday! TV channel in late 2023—was officially liquidated in March 2026.
A new GOST (National Standard) for “Responsible Communications” has been developed in the Russian Federation. Its primary objective is to cultivate a positive image of large families within the media landscape.
The company has released itsfinancial resultsfor the first quarter of 2026. While the technology block continues to advance infrastructure, the “Plus and Entertainment” segment has solidified its status as the primary driver of loyalty and ecosystem engagement.
Russian online cinemas have started inserting special title cards notifying viewers of reductions in a film’s runtime. Before a movie begins, viewers may now encounter a message stating that certain scenes have been removed “in accordance with the legislation of the Russian Federation.”
The Russian market for ecosystem subscriptions has hit a structural ceiling. According to a report by Spektr, audience growth rates for market leaders fell significantly by the end of 2025.
The 48th Moscow International Film Festival (MIFF) has officially concluded. The closing ceremony, held this past weekend, served as the grand finale to the extensive showcase, honoring the standout works from the main competition and special sections.
Gazprom-Media Holding and the Ministry of Culture of Serbia have signed a strategic roadmap to advance joint television and film production.
Russian audiences will not see the story of a North Korean defector on the big screen. The Ministry of Culture of the Russian Federation has officially denied a distribution license for the film Leaving North Korea (originally titled Noryang).