Last weekend, Hollywood content dominated Chinese cinemas. According to data from Artisan Gateway, the biographical drama Michael, released by Universal, made a strong debut in the top spot, earning 32.6 million yuan ($4.8 million).
The era of “cheap” artificial intelligence is drawing to a close. Businesses are facing a new reality where the cost of maintaining neural networks exceeds the salaries of their workforce.
The media giant Paramount has formally petitioned the U.S. Federal Communications Commission (FCC) for permission to secure massive investment from the Middle East.
The British Academy of Film and Television Arts (BAFTA) has held its 27th annual BAFTA Television Craft Awards ceremony.
Antoine Fuqua’s biopic Michael performed a literal “moonwalk” across the global box office, defying skeptics and shattering multiple historical records. Despite a chilly reception from critics, overwhelming audience support has turned the premiere into a global triumph.
Scientists from the Universities of Bristol and Bath have conducted a groundbreaking experiment in a “Smart Cinema.” Using biometric sensors, researchers captured the physical and emotional reactions of an audience to a film, aiming to understand the mechanics of how cinema influences human consciousness.
Shareholders of Warner Bros. Discovery (WBD) have voted in favor of a historic merger with David Ellison’s Paramount Skydance. The deal’s figures are staggering: $31 per share in cash, valuing WBD’s equity at $81 billion.
YouTube has officially opened access to its proprietary deepfake detection system for a wide range of public figures. Actors, musicians, athletes, and politicians can now identify and remove videos that illicitly use their likeness or voice—even if they do not maintain an official channel on the platform.
At the NAB Show 2026, Brazilian officials announced that the country has selected the American ATSC 3.0 standard as the foundation for its next-generation television system, known as DTV+.
Kristoffer Borgli’s latest feature, The Drama, has emerged as a major hit, surpassing the $100 million mark at the global box office. Produced by A24, this surrealist horror-romcom has not only recouped its $28 million budget but has also outpaced the earnings of Zendaya’s previous solo vehicle, Challengers.
