Kristoffer Borgli’s latest feature, The Drama, has emerged as a major hit, surpassing the $100 million mark at the global box office. Produced by A24, this surrealist horror-romcom has not only recouped its $28 million budget but has also outpaced the earnings of Zendaya’s previous solo vehicle, Challengers.
According to the Advanced TV Study 2026, Connected TV (CTV) in Germany and Austria has nearly reached parity with traditional broadcasting. Users now spend an average of 2 hours and 32 minutes per day within apps—trailing linear TV by only a few minutes.
Spanish-language content is experiencing a massive boom, driven by the expansion of global streaming platforms. According to a report by Ampere Analysis, streaming services accounted for approximately half of all scripted series commissions in Spain and Latin America in 2025.
Streaming giant Disney+ has announced a major expansion of its footprint in the Japanese market. The company signed a multi-year partnership with the Tokyo-based studio The Seven, the creative powerhouse behind Netflix global hits like Alice in Borderland and YuYu Hakusho.
Can a neural network truly “act,” and does a digital clone deserve an Oscar? These questions have shifted from dystopian fiction to a pressing legal headache for the world’s leading film academies.
The animated sensation The Super Mario Galaxy Movie—a joint venture between Illumination, Nintendo, and Universal—continues its triumphant run. Over the past weekend, the film raked in $83.2 million worldwide, propelling its total gross to $747.4 million.
Cupertino has officiallyannounceda major leadership shake-up: Tim Cook will step down as CEO on September 1, 2026. He will be succeeded by John Ternus, the current Senior Vice President of Hardware Engineering.
For today’s broadcasters and streaming platforms, moving to the cloud has evolved beyond a mere technical upgrade. Participants at the NAB Show have concluded that the era of “lift and shift”—the simple mirroring of local infrastructure in a virtual environment—is officially over.
Traditional media outlets are definitively losing their status as the primary source of information in the United States.
The French television market has been hit by a harsh reality: following a record-breaking 599 projects in 2022, the industry has seen a sharp 14% decline.
