Exactly 25 years ago, the animated film McDull: My Life as a Pig hit screens — a touching story about a piglet that became the first Hong Kong animation to win the Grand Prix at Annecy and outgross Harry Potter at the local box office.
Asia’s largest film and TV content market, FilMart, is in full swing. This year the event has drawn a record 790 exhibitors from 30 countries, cementing its role as the primary bridge between East and West.
In April, American provider WOW! will take a historic step: the company will completely shut down all TV set-top boxes and cease broadcasting television content.
FIFA and YouTube are teaming up to make the 2026 World Cup across the United States, Canada and Mexico the most accessible tournament in history.
The South Korean box office continues to be dominated by the historical drama The King’s Warden.
The racing comedy Pegasus 3 continues to dominate Chinese theaters. Over the past weekend, the film earned another $10.9 million (77.7 million yuan), maintaining the top spot for a fourth consecutive week.
While the world awaits the premiere of Super Mario: Galactic Movie, Pixar’s Hoppers is firmly holding onto the top spot.
A revolution is brewing at the intersection of sports and technology: Callandor Group has unveiled what it calls the world’s first intellectual property registry for athletes in the age of AI.
A new Amagi report confirms that the media industry is undergoing a tectonic shift: applied AI is moving out of the experimental phase and into the core of day‑to‑day operations.
The Beyond Mainstream alliance of specialised streamers has sent an open letter to the European Commission, calling for a rethink of how the Audiovisual Media Services Directive (AVMSD) is applied.
