The European Broadcasting Union (EBU) has released its viewership report for the 2026 Winter Olympics, showing that the Games were the most successful ever for many public broadcasters, with hundreds of millions of viewers watching free-to-air and delivering record market shares on both TV and digital platforms.
The AI music-generation platform Suno has hit a historic milestone, with the number of paying users surpassing 2 million and annual revenue exceeding 300 million dollars.
The 51st César Awards have named their winners: Karin Tardieu’s drama L’attachement was crowned Best Film of the year, while Richard Linklater officially conquered France by taking home the Best Director prize.
Generations Z and Alpha (ages 10–24) are tired of grim, lone‑wolf superheroes. According to UCLA’s Teens & Screens report, young audiences in the U.S. want to see not world‑saving, but expressions of fatherly love and emotional closeness.
The battle for the media giant is over: the board of directors of Warner Bros. Discovery (WBD) has officially recommended accepting Paramount Skydance’s offer.
Analysis by the British Board of Film Classification (BBFC) has revealed a growing gap between box office hits and BAFTA contenders.
The Disney Animation sequel has officially become the highest-grossing film of 2025 in the United States, earning 424.2 million dollars and edging out Minecraft.
Japanese company Panasonic has announced a strategic partnership with China’s Skyworth, aimed at rebooting its TV manufacturing business, particularly in the key European market.
IMAX has reported its box office results in China for the Lunar New Year holiday week, with total takings reaching 28 million dollars.
Korean series are reaching a new level in Europe. Where success once meant simply breaking into streaming top tens, in 2026 the trend has shifted toward large-scale adaptation and co-production, experts noted at the Mip London forum.
